Download U2 - Achtung Baby

Island Records Leftfield Downtempo Pop Rock 1991

Performer: U2

Title: Achtung Baby

Country: UK

Genre: Electronic / Rock

Style:Leftfield, Downtempo, Pop Rock

Released: 19 Nov 1991

Catalog number: 212110

Label: Island Records

MP3 album szie: 1774 mb

FLAC album size: 1952 mb

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Tracklist

1	One Keyboards [Additional] – Brian Eno
2	Who's Gonna Ride Your Wild Horses Engineer – Robbie AdamsMixed By – Robbie AdamsProducer – Steve Lillywhite
3	The Fly Mixed By [Assistant] – Robbie Adams
4	Until The End Of The World Percussion [Additional] – Daniel Lanois
5	Zoo Station Engineer [Assistant] – Robbie Adams
6	Acrobat
7	So Cruel Arranged By [Strings] – Brian Eno, Edge, TheMixed By – Brian EnoViolin, Viola – Duchess Nell Catchpole, The
8	Even Better Than The Real Thing Engineer – Paul Barrett, Robbie AdamsMixed By – Steve Lillywhite
9	Mysterious Ways Mixed By – Edge, ThePercussion [Additional] – Daniel Lanois
10	Love Is Blindness Engineer [Assistant] – Robbie Adams
11	Ultra Violet (Light My Way)
12	Tryin' To Throw Your Arms Around The World Keyboards [Additional] – Brian EnoMixed By – Robbie Adams

Credits

Artwork By [Label Illustrations] – Charlie Whisker
Bass Guitar – Adam Clayton
Composed By – U2
Design – Shaughn McGrath, Steve Averill
Drums, Percussion – Larry Mullen
Edited By [Digital] – Stewart Whitmore
Engineer – Flood (tracks: 1, 3, 4, 6 to 12)
Engineer [Additional] – Robbie Adams (tracks: 3, 4, 6 to 11)
Engineer [Assistant] – Shannon Strong (tracks: 1, 3 to 12)
Guitar [Additional] – Daniel Lanois (tracks: 1, 3, 9)
Lyrics By – Bono
Management – Principle Management
Mastered By – Arnie Acosta
Mixed By – Daniel Lanois (tracks: 4, 7, 8, 11, 12), Flood (tracks: 1, 3, 4, 6 to 12), Steve Lillywhite (tracks: 2, 5, 7, 8)
Mixed By [Assistant] – Sean Leonard (tracks: 2, 5, 9), Shannon Strong (tracks: 1, 3, 4, 6, 8, 10 to 12)
Photography – Anton Corbijn
Photography [Label Illustrations] – Ritchie Smith
Producer – Brian Eno (tracks: 2 to 5, 8 to 10), Daniel Lanois
Production Manager [Album] – Ann-Louise Kelly
Technician [Bass & Guitar] – Fraser McAlister
Technician [Drums] – Sam O'Sullivan
Technician [Keyboard & Guitar] – Des Broadbery
Technician [Monitoring] – Joe O'Herlihy
Technician [Quality Control] – Cheryl Engels
Vocals, Guitar – Bono
Vocals, Guitar, Keyboards – The Edge

Bass Guitar – Adam Clayton
Coordinator [20th Anniversary Edition - U2 Catalogue Re-Release Coordinators] – Beth Claridge, Nick Stewart & Associates Ltd, Nick Stewart
Coordinator [Recording Facilities & Co-Ordination Berlin] – Dennis Sheehan, Joe O'Herlihy
Coordinator [Recording Facilities & Co-Ordination Dublin] – Audio Engineering Dublin, Terry Cromer
Crew [Studio Crew], Technician [Bass & Guitar Technician] – Fraser McAlister
Crew [Studio Crew], Technician [Drum Technician] – Sam O'Sullivan
Crew [Studio Crew], Technician [Guitar & Keyboard Technician] – Des Broadbery
Crew [Studio Crew], Technician [Monitoring] – Joe O'Herlihy
Design [Original Sleeve Design] – Shaughn McGrath, Steve Averill
Design [This Design Version By] – AMP Visual.com, Shaughn McGrath
Drums, Percussion – Larry Mullen
Edited By [Digital Editing] – Stewart Whitmore
Guitar, Keyboards, Vocals – The Edge
Illustration [Label Illustrations] – Charlie Whisker
Lacquer Cut By – CB, SS
Management – Paul McGuinness
Management [2018 Album Remaster - VP Artist Management U2] – Jesse Peters , Seth Friedman , Tim Delaney
Management [2018 Album Remaster - U2 Manager] – Guy Oseary
Management [2018 Album Remaster - U2 Maverick Management] – Abe Burns , Greg Thompson , Jennifer Pitcher, Kelly McNamara, Nadine King, Niamh McCarthy
Management [Principle Management Dublin] – Anne O'Leary, Anne-Louise Kelly, Barbara Galavan, Brigid Mooney, Cecilia Coffey, Cillian Guidera, David Herbert , Eileen Long, Jackie Bennett, Liz Devlin, Maria Duffy
Management [Principle Management NY] – Bess Burke, Ellen Darst, Keryn Kaplan, Lisa Fischoff, Sheila Roche
Mastered By – Arnie Acosta
Mastered By [20th Anniversary Edition - Mastering Directed By] – The Edge
Mastered By [20th Anniversary Edition - Vinyl Mastered By] – Arnie Acosta, Bernie Grundman
Photography By – Anton Corbijn
Photography By [Label Illustrations Photographed By] – Richie Smyth
Producer [20th Anniversary Edition - Mastering Produced By] – Cheryl Engels
Product Manager [2018 Album Remaster - Archive Manager] – Rebecca Coffey
Product Manager [20th Anniversary Edition - Production Managers] – Brian Celler, Candida Bottaci
Production Manager [2018 Album Remaster - Director Of Production] – Nadine King
Production Manager [2018 Album Remaster - Project Production Manager On Behalf Of Island Records / UMC] – Lisa Power
Production Manager [Album Production Manager] – Anne-Louise Kelly
Remastered By – Scott Sedillo
Research [20th Anniversary Edition - Additional Research & Archive Analysis] – Chris Heaney
Research [20th Anniversary Edition - Research & Archive Analysis] – Cheryl Engels, Partial Productions
Technician [Quality Control] – Cheryl Engels
Transferred By [2018 Album Remaster - Audio Master Transfer Director] – Declan Gaffney
Vocals, Guitar – Bono
Written-By – U2

Artwork By [Label Illustrations] – Charlie Whisker
Composed By – U2
Design – Shaughn McGrath, Steve Averill
Edited By [Digital] – Stewart Whitmore
Engineer – Flood (tracks: A1, A3, A4, A6 to B6)
Engineer [Additional] – Robbie Adams (tracks: A3, A4, A6 to B5)
Engineer [Assistant] – Shannon Strong (tracks: A1, A3 to B6)
Guitar [Additional] – Daniel Lanois (tracks: A1, A3, B3)
Lyrics By – Bono
Mastered By – Arnie Acosta
Mixed By – Daniel Lanois (tracks: A4, B1, B2, B5, B6), Flood (tracks: A1, A3, A4, A6 to B6), Steve Lillywhite (tracks: A2, A5, B1, B2)
Mixed By [Assistant] – Sean Leonard (tracks: A2, A5, B3), Shannon Strong (tracks: A1, A3, A4, A6, B2, B4 to B6)
Photography – Anton Corbijn
Photography [Label Illustrations] – Ritchie Smith
Producer – Brian Eno (tracks: A2 to A5, B2 to B4), Daniel Lanois
Production Manager [Album] – Ann-Louise Kelly
Technician [Bass & Guitar] – Fraser McAlister
Technician [Drums] – Sam O'Sullivan
Technician [Keyboard & Guitar] – Des Broadbery
Technician [Monitoring] – Joe O'Herlihy
Technician [Quality Control] – Cheryl Engels

Barcodes

Barcode: 731451 034725
Matrix / Runout: IFPI L281 MADE BY PMI 510347-2 #05 IFPI 4621

Barcode (Spaces removed): 602557970098
Label Code: LC00407
Matrix / Runout (A-side runout, stamped): 5797011-A 174614E1/A
Matrix / Runout (A-side runout, etched): 5797011-A2 CB/SS
Matrix / Runout (B-side runout, stamped): 5797011-B 174614E2/A3
Matrix / Runout (B-side runout, etched): 5797011-B2 CB/SS
Matrix / Runout (C-side runout, stamped): 5797012-A 174614E3/A
Matrix / Runout (C-side runout, etched): 5797012-C2 CB/SS
Matrix / Runout (D-side runout, stamped): 5797012-B 174614E4/A1
Matrix / Runout (D-side runout, etched): 5797012-D2 CB/SS
Rights Society: BIEM/SDRM

Barcode: 007192121106
Other: LC 0407

Short intro

Tensions almost prompted U2 to break-up until the band rallied around the writing of the album's hit One. Rock album. Achtung Baby is the seventh studio album by Irish rock band U2, released on 19 November 1991. In the Rolling Stone annual reader's poll, it came No. U2 won the Grammy for Best Rock Album by a Duo or Group and producers Daniel Lanois and Brian Eno won Producers of the Year for Achtung Baby. Reinventions rarely come as thorough and effective as Achtung Baby, an album that completely changed U2's sound and style. In Switzerland, Achtung Baby reached No. Thematically, Achtung Baby is darker, more introspective, and at times more flippant than their previous work. The album. Seeking inspiration from German reunification, U2 began recording Achtung Baby at Berlin's Hansa Studios Baby was the album that fired U2 into the 90s. U2 - Achtung Baby 1991. To favorites 34 Download album. In the Rolling Stone annual reader's poll, it came No. Ищете треки из альбома Achtung Baby исполнителя U2 Тогда заходите на наш сайт - слушайте музыку онлайн и скачивайте бесплатно. 1 for Best Album and Best Album Cover. Achtung Baby. Reinventions rarely come as thorough and effective as Achtung Baby, an album that completely changed U2's sound and style. Displaying a broader musical palette than before and with a newfound smattering of irony, the. Album 1991 12 Songs. 1991 12 Songs. The crashing, unrecognizable distorted guitars that open Zoo Station are a clear signal that U2 have traded their Americana pretensions for postmodern, contemporary European music. Seeking inspiration from German reunification, U2 began recording Achtung Baby at Berlin's Hansa Studios Switzerland, Achtung Baby reached No. Stung by criticism of their 1988 release Rattle and Hum, U2 shifted their musical direction to incorporate influences from alternative rock, industrial music, and electronic dance music into their sound. Additionally, the album was nominated for Album of the Year. To favorites 33 Download album. It was produced by Daniel Lanois and Brian Eno, and was released on 18 November 1991 on Island Records. Achtung Baby ˈæktʊŋ is the seventh studio album by Irish rock band U2. While recording Achtung Baby, there was a rift between band members over the direction of the band's sound. Listen album. The album marks a dramatic change in the band's image and sound, with the ban. Покупайте и продавайте винил и компакт-диски, формируйте. Rock Alternative Rock. The album arrived nearly two years after lead vocalist Bono announced the band would have to go away and dream it all up again, following the mixed response to 1988's Rattle and Hum. Его продюсерами выступили Стив Лиллиуайт, Даниель Лануа и Брайан Ино, а звукоинжереном - Flood. Rock 1991. Записанный за 6 месяцев в 1991 году в Берлине и Дублине, Achtung Baby стал седьмым студийным альбомом U2. Seeking inspiration from German reunification, U2 began recording Achtung Baby at Berlin's Hansa Studios in. 3 on the album charts and stayed in the charts for a total of 19 weeks and was certified Gold. После успеха сингла The Fly, предварявшего выход диска, Achtung Baby дал миру еще четыре мощенейших хит-сингла - Mysterious Ways, One, Even Better Than The Real Thing и Whos Gonna Ride You. In Australia, Achtung Baby was certified 5 times platinum by the ARIA

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Reviews: (35)

Amis

Compared to the orignal pressings the photos on this reissue have had their grain removed and look like snapchat filters :(

Honeirsil

mine has few minutes of crackle at end of side 2 - makes me think it could have pressed at gzmedia. other than those typical deficiencies have come to expect from certain pressing factories, the record is very flat (suprise), and the sound is pretty good. would love to own or hear the original someday.

Malodor

I think this sounds great. I have a basic turntable with nice speakers but their is a discernible difference between this and my old CD. Bernie Grundman consistently does beautiful remasters.

FailCrew

Yes, sorry. Scott Sedillo works at Bernie Grundman Mastering Studio.

Vetibert

This record is cut by Chris Bellman, assisted by Scott Sedillo ????

Dozilkree

Does anyone else think the bass level in "Trying to throw your arms around the world" is way too heavy? It took some serious EQing on my system to have the neighbors stop knocking my door down!

Cala

This release sounds very good and the packaging is absolutely beautiful but let‘s be honest: if you already own the original pressing you may skip this reissue without any regrets as the original version sounds great as well.

Jode

Agree with your comment. I have both and may sell the reissue. I don't find one to be that much better than the other and with limited room the reissue may not make the cut.

Zicelik

With around 15 min per side, the cutting could be much louder which would be much better. The level of the cutting is something you find on records with around 25 min per side.

Cktiell

This is an excellent sounding reissue of a classic album. Thank you!!

Ice_One_Guys

Originally released at the height of the CD era, Achtung Baby has been much sought after on vinyl for many years. With only limited edition vinyl releases it has also been very expensive to obtain, until now. Finally! Was it worth the wait? The original CD was pretty good, and still packs a punch, however as you would expect, the vinyl opens up a whole new level of insight across a much wider soundstage. There's a deep and rich bass, and a vivid mid range and for the most part it is fabulous, however sometimes unpacking a dense production style doesn't work so well. So Cruel and Mysterious Ways probably benefit the most, but on occasions by spreading the soundstage impact is reduced and the drums sound a bit thin in the mix. Overall though i'm delighted to have this, and the artwork presentation is top notch.

Anardred

Missed oportunity, IMO. Most of the songs are congested, the channels and instruments poorly separated. Sonic vomit. It seems like the only track they really worked on is Mysterious Ways. I too have long hoped for this to be repressed as the original pressings are inaccessible. Why do they continue to boast about Berni Grundman mastering when most of what I've heard from them is mediocre at best. This entire album is quality songcraft. I think, U2's best since Unforgettable Fire. They should have stepped up to the plate and delivered on every song on this album. They deserve it. Saving grace, Love is Blindness is also well mastered.

RUsich155

I agree. This pressing is borderline better than the original, and if it sounds crappy on your end, it ain’t the record’s fault.

IWantYou

If you think "most' of what you've heard from them is mediocre, your comment holds no weight with me. Bernie's work on all the Peter Gabriel 45rpm Clarity vinyl releases from Classic Records, the all analogue Zeppelin cuts for Classic using the un-eQ'd original stereo master tapes and his work on the first four all analogue cut Dire Straits albums for WB in 2009 speaks for itself, at the end of the day you may not like every title and some artists will make requests the mastering engineer will follow even if they don't happen to enjoy that (ie - loudness), but the line about "most" and "mediocre" suggests this comment is perhaps more malicious than informed.

Kelenn

I would echo exactly what colin.brown1978 said, nothing to add apart from that.

Haracetys

Nobody boasts about Bernie Grundman Mastering, their track record speaks for itself. If you find this remastering congested I'd re-check your audio system, something is wrong.

Mojar

Fantastic repress, worth every cent. Buy it, enjoy it. Exceptional sound.

Alianyau

Another upvote, I don't have any older pressings to compare to, but don't feel like I need to... this sounds excellent!

Ffyan

I would agree with other reviews, I have the original U.K. pressing and this is a much fuller sounding record with a lot more overall emphasis, especially on the lower end. Sounds fantastic! And... comes with poly lined sleeves as well as printed! Thank you!

Isha

I have to agree - this is a very good remaster and repressing. I have the 20th anniversary JT as well, also an excellent job. Both these two records for me were their really big stand-outs and captured both sides of the band; pre and post super stardom.

Makaitist

Hey, the download is WAV (I think 16 bit). The whole download was about 587mb if that helps.

Ariurin

Good to know! I've waited for a proper reissue (remaster) for so long. Glad this and Zooropa are spread over 2 lps. I've heard the remaster via Apple Music and it does seem more open...wider soundstage than the original cd. Getting this on vinyl is a no brainer. Does anyone know if the download voucher is for lossless (16 or 24 bit wav) or just mp3s? Hoping for hi res...

skyjettttt

Very good pressing. Not a gatefold, but the sound is so fantastic.And "naked Adam" isn't naked anymore !

Ielonere

Does anybody know who pressed the vinyl? Not sure if I’d purchase it without knowing beforehand.

Hudora

Maybe the problem lies with your CD playback chain? I have the original vinyl, the new 2018 vinyl and the original CD and my go to is still the original CD, it's a terrific mastering from before the loudness wars reared their ugly heads and the overall sonics are stupendously good.Just my $0.02, there are plenty of releases I prefer vinyl for, plenty where the SACD is the best, some where even a Blu-ray Audio rules the day, I love being format agnostic. This does appear to be GZ Media not Optimal, perhaps people answered without bothering to look at their records?I don't doubt someone prefers their new vinyl release over the original CD, but to suggest the CD was capable of being "blown away" isn't a statement I can resolve on my system.

Rocky Basilisk

No, it was cut by Chris Bellman with assistance from Scott Sedillo. BG had nothing to do with this one.

Otrytrerl

This reissue has a GZ matrix, whereas Zooropa has that of Optimal...

Rude

Optimal in Germany-- best version I've ever heard. Blows away the CD!!!

Fenrinos

To clarify my initial post, Chris Bellman cut the lacquer for this one. Done at Bernie Grundman's studio.

Riavay

To my knowledge. Both Chris Bellman and Bernie Grundman were involved with this reissue.

Runehammer

Have original european press in nm condition and now the remastered vinyl. same as All that you can't leave behind. fantastic and subtle remastering for vinyl. as mentioned before, clean and open but not too loud and compressed. just as if the "old" masterpiece got a little bit freed from dust so you can enjoy the patina even more. the kind of remaster i really like!!! absolutely worth the money. just a gatefold would have been nice but that's the only thing if i have to say something critical

Gtonydne

Sound is perfect and clean, not a gatefold but comes with quality sleeves as well as original sleeves. I've wanted this album on vinyl for so many years.

Mitars Riders

Hows the pressing quality of this compared to an EU original?

Virtual

I think it is comparable to the original in sound. I had my original on last week and I am playing this one right now. Cons: not gatefold and they censored the back (not that I care, but the original wasn't).Pros: You don't have to pay $100 for the original, it sounds about the same to me, you own the albumI think overall the original and the new pressing are similar. There might be a bit more punch to the latest, but I would have to go and listen to my original after to compare.... its really a toss up for me.

Vispel

its not a gatefold but a single sleeve that holds the 2 LPs and a booklet in the same format